Cover of Felix Blom - Mord an der Spree by Alex Beer
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Felix Blom - Mord an der Spree

Alex Beer (2025) · 320 pages

Set in Berlin in 1879, Felix Blom - Mord an der Spree follows private investigator Felix Blom and his partner Mathilde Voss as a murder case pulls an older disappearance back into the present. Alex Beer leans on atmospheric period detail and brisk procedural steps, keeping the story clear and accessible while letting the city’s social shadows do much of the mood work.

Why read
For a straightforward historical crime novel that moves cleanly from clue to clue, with Berlin’s late nineteenth century texture as the main pleasure. It is best when you want a calm, readable case rather than a puzzle that fights back.
Schym
Rating
There is a specific kind of satisfaction Alex Beer can reliably deliver: a historical setting that feels walked in, not merely described. Even here, where the ambitions are modest, you sense her craft in the way Berlin is allowed to carry meaning without being asked to perform it loudly. The streets, the institutions, the social gradients: they form a quiet scaffolding that makes the investigation feel plausible. And yet plausibility is not the same as pressure. This third Felix Blom novel reads a little too comfortably for its own good. The plot advances with a neatness that borders on predictability, and the deeper currents the premise hints at never quite gather force. I found myself turning pages out of habit rather than need, which is a particular sort of disappointment when you already know the author can create genuine narrative pull. Part of it is structural. The case feels comparatively simple, and the book rarely risks complication, either in motive or in moral texture. The result is a story that stays readable, even pleasant, but also slightly flat, as if the novel has decided early on the exact emotional temperature it wants and refuses to deviate from it. It does not help that certain stylistic tics become oddly visible when the plot itself is not demanding your full attention. When a word like "Vestibül" keeps returning, it starts to function like a metronome: not offensive, just rhythmically insistent, pulling you out of the scene for a second, then doing it again. What remains is competence and a sense of authorship, but not the spark I associate with Beer at her best. Compared with the August Emmerich books, which have a rougher energy and a stronger inner drive, Felix Blom feels like a calmer, slimmer instrument, and in this installment the melody is a bit too simple. Verdict: three stars. A solid, undemanding entry for readers who like historical crime with clear lines and steady pacing. If you are looking for the sharper edge and richer force of Alex Beer’s writing, the August Emmerich series remains the more compelling place to spend your time.
crimehistorical mysteryBerlinseries